Dr. C.’s Learning Web

I’m in the midst of A. S. Byatt’s Possession in my Intro. to Literary Studies class, working up to assignment one, which asks students to work with symbolism in Byatt’s romance. The idea of symbolism is quite complex (the etymology alone is intricate and fascinating). Students are accustomed to talking about imagery, themes, character, even the writer’s biographical and cultural context. Symbolism, however, is something new for most of these freshmen and sophomores.
Over the years, I’ve tried various ways of explaining symbolism to students. The most satisfactory ways I’ve found to depend on close reading that enacts the drama of symbolic suggestion as a kind of unfolding awareness of connections, of patterns, of possibilities of meaning. That kind of going-through works well. Yet I’ve always felt the lack of some more communicable conceptual language, one that would convey the complexity of symbolism and its effects without reducing symbolism to something [...]

Original post by Gardo

I’m in the midst of A. S. Byatt’s Possession in my Intro. to Literary Studies class, working up to assignment one, which asks students to work with symbolism in Byatt’s romance. The idea of symbolism is quite complex (the etymology alone is intricate and fascinating). Students are accustomed to talking about imagery, themes, character, even the writer’s biographical and cultural context. Symbolism, however, is something new for most of these freshmen and sophomores.
Over the years, I’ve tried various ways of explaining symbolism to students. The most satisfactory ways I’ve found to depend on close reading that enacts the drama of symbolic suggestion as a kind of unfolding awareness of connections, of patterns, of possibilities of meaning. That kind of going-through works well. Yet I’ve always felt the lack of some more communicable conceptual language, one that would convey the complexity of symbolism and its effects without reducing symbolism to something [...]

Original post by Gardo